Cinematical just received a tasty little scoop from one of our trusty top secret super delegate Hollywood insiders, and it's purty interesting (all you Spidey fans might want to listen up): Apparently, in the last few weeks, James Vanderbilt (Zodiac) has turned in a working draft of Spider-Man 4to the studio. However, according to our source, "his story arc has encompassed two films, making Spider-Man 5 shootable at the same time. The studio saw dollar signs and is in the process of reworking his deal to snatch up the story arc." Don't expect anything immediately, though, since we've been told both sides are still trying to negotiate the deal.
Right now we have no word on what that arc is or where Vanderbilt is taking his script, but it's interesting to know that they're looking to spread the next Spidey storyline across two films, instead of shooting one more and taking it from there. Obviously Sony has wiped away the bad buzz from Spidey 3 and is interested in stretching this franchise as far as they can. After three flicks, I can't see Sam Raimi, Tobey Maguire and Kirsten Dunst returning to shoot two Spider-Man films together (would be a lot to take on), but you never know. In the meantime, here's what we know: Looks like Vanderbilt is writing Spider-Man 4and Spider-Man 5, and the studio might look to shoot both flicks at the same time. We'll update this post should we hear more ...
An extended clip from M. Night Shyamalan's new film The Happeningis now online (watch it above or in higher quality over on Yahoo), with an introduction from M. Night himself saying how he was inspired by films like The Godfather and The Exorcist. What we get are snippets of scenes we've seen previously from the trailers, as well as the extended version of the train scene when Mark Wahlberg walks up to those conductors and says, "With whom?" (I love that part and I don't know why.) This is M. Night's first R-rated film, and he claims it's "the scariest movie he's ever made." I guess we'll see about that.
Or maybe someone already did. Yes, folks, there's the "early screening scooper" over at Collider who's written in with a very, very negative review of The Happening (check it out here, but watch for spoilers). This person goes after the acting most of all, as well as the awkward pacing -- going so far as to say "it's bad on an epic scale." Now it's clear M. Night asked for a certain small town, passive-aggressive tone out of Wahlberg, which he's delivered before (to a certain degree) in films like Boogie Nights. But I do agree that his whole shtick seems very odd here, though we're seeing one scene out of context so I won't go off and declare The Happening an absolute failure.
Personally, I hope this film is good. I WANT to love this thing. It looks creepy and uncomfortable, and I dig that about it. Who knows; fingers crossed. The Happening lands in theaters on Friday, June 13th.
It's been two-and-a-half years since we watched the Pevensie children come to life on the big screen in Disney's splashy adaptation of The Lion, the Witch and the Wardrobe, but for the characters, only a year has passed between those adventures and the ones in the new movie, The Chronicles of Narnia: Prince Caspian. Well, time is funny like that when you're dealing with the magical land of Narnia, as the storyline of this movie amply illustrates.
The structure of events in the movie is actually an improvement on the C.S. Lewis book, opening with a captivating chase scene as young Prince Caspian (Ben Barnes) attempts to escape from his Uncle Miraz (Sergio Castellito). Miraz has been scheming to steal Caspian's throne and now wants him dead. But Caspian's tutor gives him a magical horn, the horn of Queen Susan, to summon help in time of need. When Caspian blows the horn, suddenly Lucy, Edmund, Susan and Peter are pulled out of a London Tube station (which was the first scene in the book) and into a world of wild, wooded ruins that turns out to be Narnia, thousands of years after they've left. However, Caspian thought he was summoning kings and queens, not British children, and how can these kids help him regain the throne and help Old Narnia? And where is Aslan the Lion in the middle of all this?
I'm beginning to believe that no one really wants to watch movies anymore. Or, at least, they don't want to actively watch them. Big movie theaters are hurting with the advent of saucy home theater systems, and it seems like most people would rather curl up on their couch then head out for the big community experience. We've already heard arguments about the mass distractions that are attached to home viewing, but I never thought that it would become part of the movie experience. The Hollywood Reporter posts that Walt Disney is itching to use Blu-ray's Live technology to make a more interactive movie experience. But they're not talking about the Choose Your Own Adventure sort of fare. They're adding a whole lot of bells and whistles to their classics. First up, my favorite Disney film ever -- Sleeping Beauty.
Luckily, it doesn't seem to be presenting anything that will make me want to go out and get a new player. It's all movie distractions. It might be cool that the menu will have a customized version of Sleeping Beauty's castle that will reflect your weather conditions, but that's just fluff. Besides that, there's just things to distract you from the film -- integrated chats on the movie screen, customized video messages to insert into the movie, the option to mail clips to friends, trivia games, and the option for a constant stream of web trailers.
This week, Walt Disney Pictures releases The Chronicles of Narnia: Prince Caspian. To some, it's special for its literary roots, but to others, I imagine it's a blast back to a time when Disney was all about throwing real kids into amazing adventures. These days, they don't do it very often, but Disney used to rule the world of family adventures that sparked the imaginations of kids everywhere. Sure, they put out a lot of classic animation, but they also released a number of adventure stories where kids got to do the unbelievable, whether that be death-defying adventure on the high seas, or slipping inside a cartoon.
In honor of the release of Prince Caspian, I give you seven great Disney films where real kids got to have amazing adventures. Some are new, and some are quite old, but all of them are quite memorable.
When you hear journalists at Cannes bemoaning a lack of outlets, it turns out that, for once, they're not talking about firings and cutbacks in paying gigs; rather, they're talking about the crowded push of the Orange WiFi Press Cafe, where getting a socket to plug into between screenings is well-nigh impossible. That's the press room pictured above; not shown is the upper deck, to the right, crowded with couches and journalists sprawled on the floor with their laptops. At its busiest, the WiFi Cafe looks something like a Civil War hospital, if Gettysburg's fallen had carried laptops and cameras instead of rifles.
It seems hard to imagine it's only the second day of the Festival, but it is; journalists and filmmakers are still coming into town, and the tempo of buzz and anxiety is speeding up subtly under the stately glide of stars down the red carpet. I actually wound up, bizarrely enough, at the Kung Fu Panda press screening -- Kim had to cover the Blindness press luncheon -- and, as I said in my review, "Of course, I may be a little inclined to have liked Kung Fu Panda as it made for a bit of a break; my Cannes viewing before this morning's Kung Fu Panda screening included two stabbings, a riot, several acts of sexual aggression, a few beatings, assault with a deadly weapon, family tension, grinding poverty and child endangerment. (That's not the breakdown for the films before Kung Fu Panda, just to clarify; that's the breakdown for the film before Kung Fu Panda.)" Still, I was able to get out and about to take in the scene today; you'll find the gallery below, with more from the shore to come when I can find a place to plug in for my next Cannes dispatch.
Gallery: Live from Cannes: Scenes from the Power Struggle
I really, really dig Lena Headey. She's been a breath of fresh air in cinema. She's smart, charming, and tough. She's sexy, but not overly sexualized, and she's got this reality to her that makes her roles pop. But she really, really has to add more diversity to her roles. Or, rather, she has to stop heavily favoring the dark/violent fare. Is this type casting? Personal preference?
I don't know, but there is yet another dark film on the way for Headey. Variety reports that she's just wrapped Anchor Bay's new slasher film Laid to Rest. The film focuses on a young girl who wakes up in a casket with a bad head injury and no memory of who she is. But she hasn't been buried alive. Instead, she's been abducted by a serial killer and has to outsmart him to survive.
I just hope one of her other projects, Six Bullets from Now, is light enough in the action/heist department to give her some mainstream regular cred, and get her out of this trend. But there's still Tell-Tale and Black Death on the way as well, plus more Sarah Connor Chronicles. Don't get me wrong, she's great in the dark fare, but it'd just be nice to see more frequent diversity. Let Luce shine!
I noticed that Lloyd Kaufman's Poultrygeist (subtitled Night of the Chicken Dead) has finally emerged in theaters (currently playing on 1 screen). Kaufman is the president of Troma, a production company and distributor that has survived as an indie for over 30 years, mainly due to salesmanship. By any count, they have been responsible for at least 150 movies, and Kaufman himself has over 200 on his resume. Anyone who has ever frequented a video store has probably come across titles like Blondes Have More Guns (1995), Cannibal! The Musical (1996), Chopper Chicks in Zombietown (1991), Citizen Toxie: The Toxic Avenger Part IV (2000) (and, indeed, the entire Toxic Avenger series), Class of Nuke 'Em High (1986), Femme Fontaine: Killer Babe for the C.I.A. (1994), Killer Condom (1996), A Nymphoid Barbarian in Dinosaur Hell (1991), Rabid Grannies (1988), Sgt. Kabukiman N.Y.P.D. (1991), Surf Nazis Must Die! (1987) and Tromeo and Juliet (1996). They have also distributed such nuggets as Brian De Palma's The Wedding Party (1969), Samuel Fuller's Shark! (1969) and Dario Argento's The Stendhal Syndrome (1996).
Maybe I'm just in one of those moods today, but these illustrations cracked me up. I stumbled across the blog for this dude Donald Soffritti while surfing, and though it's all in Italian, it would appear as if the entire site is dedicated to his drawings of superheroes after they've grown old. The image of Batman and Robin above is definitely my favorite, although a close second would be Thor (because he looks exactly like my cousin), Aquaman (the fish bowl and warms got me) and the one of Galactus and Silver Surfer (just because a really old Surfer is amusing). There's also a comic strip on his blog called Super Zeros featuring, what looks like, Batman and Wonder Woman as young, fat kids. No joke. Perhaps someone who reads Italian can let us know what he has to say about some of this; nevertheless, I've had a ball looking at them all. (When is someone gonna make THAT movie!?) You can see a few of my favorites in the gallery below, and head over to Soffritti's blog to see the rest.
I wonder ... how do you meet the super thieves and spies? How do these cinematic guys always find the people with deep, dark secrets, or law-breaking wild sides? Variety reports that Christian Slater and Cuba Gooding Jr. are starring in a new action comedy called Lies & Illusions, which will be directed by Tibor Takacs. (Will it be able to match the wonder, humor, and intrigue that is Kuffs?!) Sarah Ann Schultz, Christa Campbell, Al Madrigal, and Lochlyn Munro have also signed on to star.
The script, written by Eric James, focuses on "a novelist being hunted by a spy who believes the writer holds millions of dollars in diamonds stolen by his dead fiancee." But it's more than just that. According to IMDb, the writer is "torn between two lovers," and also, "A book editor from New York becomes obsessed with the author of a violent novel. She soon learns secrets about his past." Seeing that Slater gets a first and last name -- Wes Wilson, and Cuba only gets "Isaac," I assume that Slater is the writer, and Cuba is the spy. But I don't see how the editor fits into all of this.
IMDb says that it's now in post, but Variety says the film began shooting this week in Spokane.
The first trailer for City of Ember has just arrived online (watch it above or over on the film's official site). Cinematical premiered the teaser poster for City of Ember not long ago, and it looks like the folks from 20th Century Fox and Walden Media are itching to get the buzz going on this one by debuting a trailer long before the film's October 10th release date. This will also be the same trailer that plays in front of Prince Caspian this weekend. Based on the best-selling novel, City of Ember was produced by Tom Hanks and stars Bill Murray, Saoirse Ronan, Tim Robbins, Martin Landau, Toby Jones and Harry Treadaway. Directed by Gil Kenan (Monster House), the synopsis for Ember looks like this:
"For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. But Ember's once powerful generator is failing . . . and the great lamps that illuminate the city are starting to flicker. Now, two teenagers in a race against time, must search Ember for clues that will unlock the ancient mystery of the city's existence, and help the citizens escape before the lights go out forever."
What say you? I think it definitely has potential, especially with that cast. (Seems like a cool book, too.)
Perhaps the best thing about Kung Fu Panda is that it's an action comedy that doesn't skimp on the action. Dreamworks Animation's latest effort may stick out a little on the Red Carpet at Cannes -- where it's screening out of competition -- but it's certainly a well-made kid's film that earns high points for how directors John Stevenson and Mark Osborne clearly crafted and contemplated its look and feel with ambition and style. Anyone can make a computer-animated cartoon with fuzzy animals doing kung fu; you have to be at least a little inspired to make a computer-animated cartoon featuring fuzzy animals doing kung fu in widescreen Cinemascope. ...
Kung Fu Panda opens with a rousing, stylish action sequence, as a narrator (Jack Black, in full-on Tenacious D exposition mode) explains how "Legend tells of a legendary kung fu warrior whose kung fu skills were legendary. ..." But then, the heroic panda we've seen unleashing paws of power on the big screen ... wakes up; it was just a dream. Then Po the panda (Black), whose dreams of kung fu glory are the counterpoint to his unsatisfying life, gets ready for his day of helping his father Mr. Ping (James Wong) sell noodles to the people of the Valley of Peace.
An early Cannes favorite, Cinematical's Kim Voynar describes Waltz with Bashiras a "beautiful, disturbing and deeply compelling film" that "could wind up with an Oscar nod come January." The animation looks stunning (love the gold in those beach scenes), and I'd definitely agree with Spout's Karina Longworth who calls it "Grand Theft Auto: Beirut, Meets A Scanner Darkly" in the title of her post showcasing the trailer above. More from Kim's Cannes review: "Waltz with Bashir documents the struggle of the filmmaker, Ari Folman, to come to terms with the gaps in his memory surrounding the part he played in the first Lebanese war and the 1982 massacre of Palestinian civilians in the West Beirut refugee camps of Sabra and Shatila."
No, I don't think this latest feature is a mixture of Buffy and Foxy Brown, where lesbians get tough and hunt vampires. (Has there been a flick like that yet? If not, I'm sure we'll get it one of these days.) Instead, this seems to be about the dudes who kill lesbian vampires, or will be killed by them. Variety reports that James Corden and Mathew Horne, who star in the UK's cult show Gavin and Stacey, are re-teaming to bring down some vamps in Phil Claydon's Lesbian Vampire Killers.
Written by Stewart Williams and Paul Hupfield, this horror comedy focuses on Corden and Horne "stuck in a village where all the women have been enslaved by a vampire curse." This makes it sound like the village was a lesbian commune, or the girls tapped into their gay side after growing the fangs, sort of like Willow on Buffy. However, IMDb fills in some blanks. An ancient curse falls upon this Welsh town, so the "remaining menfolk ... send two hapless young lads out onto the moors as a sacrifice." Talk about drawing the short stick, although I imagine there are worse ways to be sacrificed.
I'm sure there will be lots of skin and all the girlie bits that make horror fanboys salivate. What I don't know much about is Gavin & Stacey. Any fans out there want to weigh in about Corden and Horne taking on lesbian blood suckers? Can they do it?
I'm not sure what they're putting in the water over in Cannes, but some pretty wild deals are beginning to emerge from that fest in France. Only a day after Werner Herzog signed to direct Nicolas Cage in a remake of Bad Lieutenantcomes word from The Hollywood Reporter that Herzog and David Lynch have teamed up on a film called My Son; a murder drama to be tentatively shot next March. Based on a true story, My Son will tell of a "San Diego man who acts out a Sophocles play in his mind and kills his mother with a sword." HR says the film will jump between the murder scene and this disturbed man's story. Nice family film from two completely sane directors.
Additionally, and this shouldn't come as a surprise (considering the two guys we're talking about), My Son will be shot guerrilla-style with digital video. Herzog, who co-wrote My Son with Herbert Golder, will first shoot Bad Lieutenant in July before directing the Victorian-era drama The Piano Tuner for Focus Features. One can only imagine what the finished product will look like when you've got Herzog and Lynch working together on the same movie -- especially one with a nutty storyline like this one. Not for nothing, but I think I'd rather watch the documentary of them making this film rather than the film itself. You?
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I'm beginning to believe that no one really wants to watch movies anymore. Or, at least, they don't want to actively watch them. Big movie theaters are hurting with the advent of saucy home theater systems, and it seems like most people would rather curl up on their couch then head out for the big community experience. We've already heard arguments about the mass distractions that are attached to home viewing, but I never thought that it would become part of the movie experience.
I really, really dig 
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I wonder ... how do you meet the super thieves and spies? How do these cinematic guys always find the people with deep, dark secrets, or law-breaking wild sides? 
No, I don't think this latest feature is a mixture of Buffy and Foxy Brown, where lesbians get tough and hunt vampires. (Has there been a flick like that yet? If not, I'm sure we'll get it one of these days.) Instead, this seems to be about the dudes who kill lesbian vampires, or will be killed by them. 
I'm not sure what they're putting in the water over in Cannes, but some pretty wild deals are beginning to emerge from that fest in France. Only a day after 
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SCOOP: Spider-Man 4 and 5 Might be Shot at the Same Time!
Cinematical Seven: Disney's Awesome Live-Action Kid Adventures
Cannes Review: Kung Fu Panda
