Cinematical

The X-Files: I Want to Believe offers the viewer many mysteries to contemplate -- and only one of them is on-screen; as David Duchovny and Gillian Anderson return to roles and a franchise that last graced our TV screens in 2002 (and was last on the big screen in 1998), your mind swirls around the behind-the-scenes facts as fiercely as it does around the events playing out before your eyes. As reclusive, retired ex-FBI agents Fox Mulder and Dana Scully (Duchovny and Anderson) help the FBI with an abduction case, you're not following the plot as such; instead, you're thinking things like Hey, didn't this show get canceled six years ago? Haven't Duchovny and Chris Carter, the star and director of this film, both sued the studio behind it? Who, out in the movie going audience, is really clamoring for this movie? If you're an X-Files fan, is this film's freestanding creepy tale, with no link to the weird and convoluted mythos Carter came up with for the show, going to satisfy whatever itch you may still have for the franchise? And if you're not an X-Files fan, is the idea that this film stands alone enough reason to come to the franchise now?

Frankly, the news that a screenwriter had been hired to pen the latest installment in a horror franchise would not normally merit much attention.(Other than from the writer's agent and immediate family.) But when we're talking Wesley Strick and A Nightmare on Elm Street, my curiosity soared.

New Line Cinema has hired Strick to create their new version of Nightmare, according to The Hollywood Reporter. One of his first credits was as co-writer of Arachnophobia, Frank Marshall's clever creature feature, followed by Martin Scorsese's heavy-handed remake of Cape Fear, and later Mike Nichols' post-modern Wolf. His other credits include Final Analysis, The Saint, The Glass House and Doom.

While it's always tricky to assign credit or blame based solely on screen credits, I think it's safe to say that Strick has a distinct track record: complex psychological tension, sarcastic humor, and mucho macho boom boom (to coin a phrase for his uber-male characters). I'm not saying that all of these elements succeed in every movie he's had a hand in writing, but I am hopeful that Strick can come up with a fresh twist on Freddy Krueger.

The new Nightmare will retain the high school setting and "delve deeper in the psychology of nightmares and Krueger himself. The plan is to have a dark tone." If the plan is also to forget about a PG-13 rating, so much the better. New Line aims to release the film in time for the 25th anniversary of the original -- which would be November 2009.

OK, so I missed my flight to San Diego this morning and I've had a really rotten day, but there's always a small silver lining, right? In the movie world there is: JUST announced (like, within the last few minutes!) is the Toronto Film Festival's Midnight Madness '08 line-up. And, as usual, it looks pretty damn awesome.

I've heard some really good things about Pascal Laugier's Martyrs, Franck Vestiel's Eden Log, and Jon Hewitt's Acolytes -- plus I've been itchin' to see JT Petty's horror-western The Burrowers for over a year now! Other selections include Pracha Pinkaew's Chocolate, Toshio Lee's Detroit Metal City, and Mark Hartley's Not Quite Hollywood. Click right here for all ten of TIFF's Midnight picks --and of course you can expect all sorts of expansive festival coverage once TIFF rolls out in early September. Woo!

(Note: Rocchi got all excited about JCVD being chosen as one of the Midnight selections, which is a title I neglected to mention the first time around. Ditto Sexykiller and Deadgirl.)

( Also announced today: Toronto's Wavelengths and Sprockets Family Zone selections. )

I think Scott Weinberg's getting set for Comic-Con as I write this, so I'll briefly fill in on the gorehound beat. Mirrors director Alexandre Aja has released what he calls "a new tasty visual from one of my favorite scenes" in the film. Per Aja's penchant for extravagant gross-outs, the picture is -- how do you say? -- aggressive. I'm putting it under the jump. It's gruesome -- watch out.

It's also -- and some of you may petition to have me committed for this -- strangely beautiful, albeit in a way only a horror freak could love. Unlike, say, the work of Eli Roth, who's like a giddy kid in a candy store when it comes to gore, Aja's imagery has been kind of artful in its grandiosity. Of the Splat Pack membership, I think he's the most concerned with the egghead aspects of horror movie aesthetics: shot composition, the color palette, symmetry, etc. That's a large part of the reason I'm looking forward to Mirrors, which otherwise looks pretty standard-issue. A truly great-looking horror film might be able to get away with not having much of a concept.

Anyway, Aja will be at Comic-Con promoting Mirrors, and I'm sure Scott, Eric or Elisabeth will have something for you from there. Meanwhile, click through for the photo -- if you dare. Not Safe for Work.

Man, has this day brought us news of film-based video games aplenty -- one of which you can play for free right now and the rest of which some of you simply can't wait for.

But you'll have to. Wait, that is. They haven't made the darn things yet. Sheesh, hold your horses already.

Trade publication Variety tells us of these titles over the course of two separate articles. One piece points out Universal's plan to crank out several games based on their properties, but only names their highest-profile property at the moment: Wanted. If any of you have seen the film (and a $123 million gross would suggest as much), then you know just how well it should lend itself to the format, what with the bullet curving and knife fighting and Angelina Jolie ogling.

I'll admit it: Most of the indie / foreign horror films that I see at film festivals and then recommend like crazy ... are not exactly "mainstream" titles. My apologies if you watched Inside, Teeth, or Frontier(s) with your mom -- although she'd probably like The Signal. Heck, even my preferences in studio horror fare tend to run towards the bleak, and hats off to The Mist, The Ruins and The Strangers for keeping me on my toes.

So what's my point? There's one particular indie that is absolutely NOT a gorehounds-only affair. I actually expect quite a (relatively) mainstream groundswell of support once Gregg Bishop's Dance of the Dead hits DVD -- and according to good ol' Bloody-Dee, that DVD will arrive on October 14. Yes, the movie is about a prom that's been overrun by zombies, leaving only the dateless outcasts to save the day, and sure, it's got some gore, some salty language, and some playful sexiness -- but dang if the Dance of the Dead doesn't feel like something Spielberg might have done as a newcomer. (And actually liked horror movies.) It's quick and colorful and jaunty and amusing -- and I think that's the first time I've ever used the word "jaunty" in any capacity. Anyway, toss a red circle around this title. It's not just for the horror fans. (No less than eight Cinematical staffers saw and really enjoyed it.)

And hey, get this! Lionsgate is absolutely GUSHING horror flicks on October 14! Not only the Dance will hit DVD on that date, but seven more titles as well: Brotherhood of Blood, Dark Floors, The Last House in the Woods, No Man's Land: The Rise of the Reeker (cool!), Room 205, The Substitute, and something Russian called Trackman (that looks pretty wild). Now that sounds like a Halloween party!

OK, I know what you're going to say before you even say it: "Dude, it's a big guy in a hockey mask. Don't exactly need a snapshot to envision a big guy in a hockey mask." And that's a fair comment, but I work for this blog and weekends are really slow so here we go:

Our first look at the new Jason Voorhees! A big bulky guy in torn clothes and a hockey mask: Yep! Snark aside, the big guy looks pretty solid. No silly changes or anything, although his NECK sure does look sort of extra-thick. It's the close-up shot of horror-dom's supreme stalker that the fans want to see, but I'm quite a bit more impressed by the "far off" shot. The lake is a grungy shade of green and the shadows are trickling through the forest quite creatively. Anyway, the new Jason will be played by Derek Mears, who's played more crazies, creeps and killers than just about anyone.

The pics come from a recent EW article that Erik covered right here, but it took the hardcore horror fans to get a bigger shot of the serial stalker. Expect a lot more Friday freakiness once Comic-Con starts next week. And if director Marcus Nispel can do as good as job as he did with the Texas Chainsaw remake, that'll be good enough for me. (Yes, I quite like the Chainsaw remake. A hell of a lot more than any of the TCM sequels, anyway.) The next Friday the 13th arrives in February of next year.

[ Thanks: BD.com ]

The first Brad Anderson film I saw was Session 9. (I also spent $27 on the out-of-print DVD, which I've watched at least three times in the last year. It's a great movie.) And then I saw his dark and twisted love letter to Alfred Hitchcock: The Machinist. Wow. Aside from Christian Bale's staggering performance, it's just a rock-solid, old-fashioned mind-bender of a noir thriller. Good stuff. Most recently I saw the director's train-bound and icy chiller Transsiberian at Sundance, which (shocking!) I also enjoyed quite a bit.

Which leads us to a logical question. What can Brad Anderson fans expect next? According to Bloody-Disgusting, the writer / director is not straying far from the genre fare any time soon. First on the filmmaker's plate looks to be All Lost Souls, which is a "serial killer movie," and then perhaps Vanishing, which Anderson describes as "a smart post-apocalyptic horror film." Sounds good so far.

But even further down the road, Anderson could be looking at a remake of the 1943 occult flick The Seventh Victim -- and a Cronenbergian thriller called Concrete Island, which just might reunite the director with two of his Machinist collaborators: screenwriter Scott Kosar and low-key superstar Christian Bale. And to all those projects, I say this: Cool. Get to work, Brad!

[ Thanks to Bloody-Dee for the cool info. ]

The legendary Wendigo is getting another chance at the spotlight. According to The Hollywood Reporter, actor/producer Michael Emanuel is making his directorial debut with Maneater. The movie begins shooting on July 30th in L.A., although the leads have yet to be cast.

Maneater centers around the famous Algonquian myth of the Wendigo, an evil, cannibalistic spirit. Humans can either transform into it by engaging in cannibalism, or be possessed by it via a dream. If one of those unpleasant fates befalls you, you'll go crazy eating your fellow humans, your hunger never to be satisfied. So try not to dream up a wendigo spirit and for heaven's sake, don't eat the flesh of your fellow humans.

The cannibalistic aspect makes it the perfect fodder for a horror movie, and it's been used numerous times, most recently (and probably most notably) in 2001's Wendigo. Now Emanuel is taking on the legend, inspired by a story told to him in the 1970's. His version will follow a former FBI profiler who is now working humbly as a small town sheriff. He begins investigating a series of mysterious (and probably gruesome) murders, only to discover that the monster he's hunting may be someone he knows very well.

It sounds like the best X-Files episode never written, doesn't it? Or at least a really good issue of Wolverine. I think Emanuel needs to delay production, and offer it to Chris Carter or Marvel Studios. Both are in need of a good cannibal spirit story, don't you think?

This is turning into one long tease. All the Boys Love Mandy Lane debuted to generally good reaction at the Toronto film festival nearly two years ago. (James Rocchi called it "the best modern slasher flick since Scream.") Senator Entertainment picked up distribution rights after The Weinstein Co. / Dimension unexpectedly dumped it shortly before its scheduled release one year ago. Since then, we've been waiting ... and waiting ... and waiting.

In the meantime, director Jonathan Levine moved on to his next film, the well-received The Wackness, and Senator Entertainment surprised us by releasing ... a new poster. (OK, we take what we can get.) At some point they also made a new trailer, which you can view at the trailer website for Fantasia, Montreal's amazingly awesome genre festival. They have a good write-up on the film, too, and you'll see James' review quoted on the page. (Sorry, you've already missed the two screenings there.)

The Senator trailer doesn't look markedly different from The Weinstein Co. trailer, but, to its credit, it spells out even less than the previous one. The most irritating thing is probably where it promises to be out "This Spring." The poster promises "This Summer." Is that "This Year"? We do know that UK film lovers can buy it on DVD in just a few days; I'm not holding my breath much longer for this one.

[Thanks to Bloody Disgusting.]

Okay, maybe the 1988 horror flick Night of the Demons isn't exactly a classic. Especially if you consider that it didn't even make it to Matt's list of Cool Horror Films of the '80s. But when has fan indifference ever stopped Hollywood from doing a remake? Shock Till You Drop is now reporting that casting has been finalized for the update of Kevin Tenney's horror-comedy hybrid. According to Shock, Diora Baird (Texas Chainsaw Massacre: The Beginning), Shannon Elizabeth and Monica Keena (Freddy vs. Jason) have all signed on the dotted line for the remake, with Mother of Tears scribe Adam Gierasch at the helm.

If you aren't familiar with Night of the Demons, here is a quick primer: Ten teens in the tradition of "stupid teenagers in danger" films everywhere decide to have their Halloween party at an abandoned funeral home called Hull House (get it? It's like Hell...spooky). After performing a séance, a demon is awakened that possesses the party hostess, and then it's only a matter of time until they are offed in a variety of gruesome ways. Shock's sources claim that Elizabeth will take over the role of the possessed party hostess, Angela, and I can only guess that the other two will be adding to the body count. Demons was originally scheduled to begin shooting last spring, but the production will now begin mid-September in New Orleans

Well, it has been a long time since I first saw the original film, so maybe I'm overestimating the quality. But I can't help think it would be for the best to keep this flick a fond memory rather than a crappy update, how about you?

Aw yeah, this is just about my own personal version of Christmas Eve. The first wave of titles for the Austin's lovely Fantastic Fest has splattered into my inbox, so instead of me rambling on about how great Austin is in late September, especially if you're a massive fan of films gory, scary, sexy, twisted and weird, I'll just direct you to a very handy FF press release.

But not before I say this: Of the flicks chosen already, I've seen precisely five: Let the Right One In, Donkey Punch, Spine Tingler, Terra, and Jack Brooks: Monster Slayer. A Swedish vampire coming-of-age story, a British thriller about boat-bound terror, an American documentary about a beloved schlock-slinger, a multi-national animated adventure story, and a scrappy little indie full of monsters that Rick Baker would adore. So from just one random sampling, this is one eclectic mixture of movies. Oh, and for the Hollywood fans: DJ Caruso's Eagle Eye will have its premiere at Fantastic Fest. By only a few days but damn cool anyway. Oh, and a screening of The Tingler? Beyond cool.

Click on in for the first full press release on Fantastic Fest 2008.

Yeah, you know John Stockwell. Every movie nerd should. He directed Into the Blue, Turistas, Blue Crush... OK, he played cool kid Dennis Guilder in John Carpenter's Christine. That's how most movie nerds know the guy. (He's actually been in a whole bunch of movies, like Top Gun and Losin' It and ... My Science Project.) So now it looks like Mr. Stockwell has his next directorial gig lined up, and he'll be working with one of the horror adaptation specialists.

THR informs us that Stockwell will direct Sanctuary, which sounds a bit like Sleeping With the Enemy, only with a horror twist: A woman and her son take refuge from her terrible ex-husband, only the island they've chosen just might be haunted. Oops. The screenplay comes from Stephen Susco, he of The Grudge, The Grudge 2, and Red, and it's based on the novel Bad Men, by John Connolly. Umm, and based on some of the things I just read at the novel's Amazon page, it's something I'll definitely pick up once I'm done reading this very fun book.

No word on why they didn't stick with the original title. I think it's much cooler.

"While waiting in line for the screening of Hellboy II: The Golden Army, I overhead someone say that Guillermo del Toro's latest is being seen as his audition tape for The Hobbit," observed Jonathan Pacheco in his review for The House Next Door. Of course, Del Toro already had the directing gigs for the two Hobbit films before Hellboy II hit theaters, but that won't stop audiences from evaluating the current parade of fairies, demons and evil elves with Del Toro's Middle-Earth-to-be in mind.
Needless to say, it's a narrow perspective.

It would make more sense to expect that these upcoming features will negotiate between the gothic horror of Pan's Labryinth and the blockbuster approach of Hellboy II. In the latter work, it's clear that Del Toro has more interest in placing these loony supernatural beings in relatively conventional action sequences, allowing the specificity of the characters to create a sense of ingenuity. Pan's Labryinth, on the other hand, offers a single package of storytelling: The art direction, special effects and even the violence directly relate to the drama. The best case scenario for the Hobbit films would be a happy medium: Glorious visuals that reflect Tolkien's deeply involving mythology.

Yes, the horrifying idea is true. Spooky Dan over at Bloody-Disgusting.net sat down with Rob Cohen, ostensibly to chat about The Mummy: Tomb of the Dragon Emperor and a startling bombshell was dropped. Cohen revealed that Paramount has snagged the rights to the 1987 cult classic The Monster Squad, and plans on remaking it in fairly short order. Cohen is going to produce, but isn't interested in directing.

The Monster Squad is a delightful horror-comedy about a group of middle school students obsessed with Stephen King, werewolves, and vampires. In a tidy plot twist, Dracula suddenly appears in their calm suburb, calls forth a few familiar minions, and makes plans to take over the world at midnight. It's the movie that proved, once and for all, that Wolfman has "nards." After languishing in cultish obscurity (and imprisoned on VHS), the movie had a resurgence once all us children of the '80s came of age, and is now available in a wonderful DVD package.

All of this is why the flick ... doesn't need to be remade. It's the perfect product of the '80s, one of those snarky movies the decade was rich in. Obviously Paramount is thinking that its ongoing popularity makes it an instant hit; I'm sure they will lamely explain this as a way to introduce the movie to the younger generation. But that's why we have DVD. I can introduce it to my future children just fine, thanks.

I never thought I would live to see the day when my entire childhood was remade. Surely Space Camp and The Goonies can't be far behind. What does that leave? Only Flight of the Navigator and An American Tail. Surely, the latter is being tossed around. I mean, two-dimensional animation doesn't speak to today's youth. Make it stop, Hollywood! Make it stop!