Cinematical

Okay, so we went through something similar with Frank Darabont's unused draft of the latest Indiana Jones installment, which managed to be a bit better (read: Mutt-less) compared to the still entertaining end result. Now, it appears that the original draft for Hancock -- long titled Tonight, He Comes -- has popped up by way of Jeff Wells over at Hollywood Elsewhere (read it here). Oh, and if it's authentic, it happens to be missing the next-to-last page.

I've found the behind-the-scenes hearsay -- conveniently summed up in this NY Times piece -- on this film to be fairly fascinating. First, as scripted by Vy Vincent Ngo, Tonight had made the rounds as a reportedly hard-R superhero drama that capitalized on the somewhat sexual nature of the title. However, it seems once Will Smith was brought on board, Sony saw fit to tame things down considerably.

Even as recently as April, the MPAA had twice handed them an R instead of the sought-after PG-13, and now the finished result runs a choppy 92 minutes -- distinctly shorter than indicated in AICN test screening reports which made particular mention of a subplot involving statutory rape. Of course, as Wells brings up, it's hard to ignore the involvement of producer/screenwriter Akiva Goldsman, whose recent work on Smith's last hit, I Am Legend, had a similarly slapdash second half at the compromise of the original material.

I've yet to get more than a couple of pages into this thing, but do you guys think this is the real deal, and if so, do you guys think that this is the real film compared to what's on thousands of screens this week?

Werner Herzog's Bad Lieutenant cast just became a whole lot crazier. Variety is reporting that Val Kilmer and Xzibit are joining Nicolas Cage and Eva Mendes in the much-maligned remake / re-imagining / re-something of Abel Ferrara's cult classic.

Kilmer will be playing Cage's police partner, presumably the straight arrow to complement Cage's cop-on-the-edge. This comes right on the heels of Kilmer being cast in Silver Cord, so I think it's safe to say someone's trying to make a comeback. (Am I the only one who laments the passing of years, and what it has done to one of my biggest crushes? Has it really been so long since The Saint?)

Xzibit, fresh off The X-Files: I Want to Believe, will be playing their nemesis, Big Fade.
Remember, folks, it's a re-imagining, which is why you don't remember any of these characters from the original.

If there aren't shockingly hilarious tales of egos and fistfights from the Lieutenant set, I'll be among the bitterly disappointed. While I suspect Kilmer has chilled with the passing of years, I'm thinking that combining him with Herzog is bound to be tempestuous. Is it too much to ask that Herzog just goes even further, and hires Sean Young and Gary Busey? Perhaps even Mike Myers? Throw the script out the window, and just film the production. I think it would be far more fun than any re-imagining.

The rule of thumb in this film blogging world of ours is, what goes up must come down. In other words, any trailer that finds itself premiering on YouTube can only find itself taken down from YouTube. So, for now, let us offer you what appears to be the teaser for this winter's big-budget remake of The Day The Earth Stood Still, in which an alien visitor (Keanu Reeves) gives us Earth denizens a hefty heads-up that if we don't straighten up our act, he and his giant robot friend will do it for us ...

Now, I may or may not be entering spoiler territory with this following paragraph, so feel free to skip it (in that case, long story short: also stars Jennifer Connelly and due in theaters on December 12th) -- BUT, from what I can recall reading at one point, our main man's angle this time around is not concerns of nuclear warfare (that's SO 1951!), but rather more environmentally-fixated priorities. Who knew that between this, WALL-E, and The Happening that the big H'wood cared so much about the state of our planet.

On the other hand, pitched properly, green can only equal more green in their eyes.

[thanks to Film Web]

According to TheGoon.com, Eric Powell's endlessly inventive series has just been optioned by David Fincher, who plans to turn it into a CGI movie. (Is this the first movie to be announced via its character's official domain instead of the trades? I'm sure it isn't, but I find it awesome and worth mentioning nonetheless.)

The Goon is a everything-but-the-kitchen-sink (and probably that too) comic that draws comparisons to (and appearances by) Hellboy. I'm ashamed to say I haven't read it, though I don't seem to be alone in that. The series follows the deformed brawler of the title, who claims to be the enforcer for a mobster named Labrazio. The Goon and his sidekick, Franky, are frequently trading punches with all manner of otherworldly creatures, from zombie armies to aliens -- and from what I'm looking at on Dark Horse, it never gets boring. And it's hilarious. Check out the preview of issue #8, and tell me I'm wrong. (There's lots of Goon previews up on Dark Horse's page, spend the holiday weekend checking them out! I'm going to. Fireworks are overrated.)

While CGI would be the best way to capture the top-notch art, I can't help but wish this was in live action. I would love nothing more than to see a real live Goon beat down some lame vampires, or get omens interpreted by a psychic seal. But already, this is gearing up to be one of the best comic adaptations this side of The Dark Knight -- a top notch director in Fincher, and hilarious source material.

[via CHUD]

Well here's something you don't see every day: A big, flashy summertime "tentpole" movie that A) takes chances, B) bucks convention, and C) takes some real risks with its subject material. Obviously the safe approach is for Will Smith to do (yet another) easily-digestible (if somewhat mindless) blockbuster like I, Robot or I Am Legend or Independence Day -- but this time the endlessly profitable Will Smith is working with a rather distinctive director who refuses to cater to formula. That director would be Peter Berg, and this guy has yet to make a bad film.

Unfortunately the production history on Hancock is not a fantastic one. There was a revolving door of directors and script polishers before Columbia finally started production -- but there were still marketing issues, last-minute reshoots, and MPAA miseries to deal with. And yet, despite all that, Hancock arrives like a breath of weirdly fresh air for moviegoers who like a little heart and soul mixed in with their hyper-kinetic action mayhem. Toss some sharp wit and an impressive display of edge into the mix, and I think you may have one of my favorite movies of the summer. (Although one can plainly tell that there was some late cutting done to the flick, all in the name of the almighty PG-13 rating, of course.)

Every day, another graphic novel is optioned by a studio great or small, and very rarely do they stir much interest in me. They always seem to be a variation on the assassin-with-a-heart-of-gold or superhero deconstruction, which can't even motivate me to pick up the graphic novel, let alone buy a movie ticket. So, it's a rare treat when the trades run the latest comic to be snatched up and I go "Okay -- this one I get." Hiding in Time is one of these.

According to Variety, Warner Bros has bought the rights to Christopher Long and Ryan Winn's series. Time is set in a future where the Witness Protection Program is no longer interested in changing your name and moving you to Tampa -- instead, they send you back in time to hide from those you snitched on. If hiding out in the Black Death to escape your mob buddies sounds too good to be true, it is, as a group of armed thugs begin hunting them down across the ages. It's up to one humble scientist in the Time Portal Division to stop them. (The trades mention that the scientist teams up with a master thief to track down his old crew -- I don't know if that's part of the movie pitch, or if that actually happens in the series.) No director has been named, but Beau Thorne is tackling the screenplay.

It was a good weekend at the box office for both of last week's newbies, marking the first time in history that two films opening on the same weekend pulled in over $50 million each. Here's the top five:

1. Wall-E: $63 million
2. Wanted: $50.9 million
3. Get Smart: $20.2 million
4. Kung Fu Panda: $11.7 million
5. The Incredible Hulk: $9.6 million

Only one major release this week, but we've also got one going into wider release.

Hancock
What's It All About: Will Smith plays Hancock, a hard drinking anti-social superhero, and a PR agent played by Jason Bateman sets out to repair Hancock's public image.
Why It Might Do Well: Will Smith may not always have the Midas touch (I Am Legend left me cold) but he's got quite a few successful blockbusters under his belt, and people are loving the superhero flicks these days. I've liked Bateman's work a lot since Arrested Development, and I'm always glad to see him. Also, Cinematical's own Kim Voynar has given the film her seal of approval.
Why It Might Not Do Well: Unlike most big-budget superhero movies, this one doesn't originate from another media like comic books, so it doesn't come with the core fanbase of an Iron Man or an Incredible Hulk. Also, the 36% fresh rating at Rottentomatoes.com is not encouraging.
Number of Theaters: 3,900
Prediction: $45 million

And going into wider release this week...

For quite a while now, the rumor that Huey Lewis would be performing the theme song for the expectedly hilarious Pineapple Express has been making the rounds, and today... oh, today, it has come to sweet fruition, as the theme song hits first the soundtrack's MySpace profile and then my beating heart.

I can't tell you how much it tickles me to have the sax of the News accompanied by the sound of Huey uttering the word 'chronic'. Then again, I can't tell you how much I'm tickled that we're actually facing a summer movie season that will cap itself off with Huey Lewis doing the theme song for a Judd Apatow-produced, David Gordon Green-directed stoner-buddy action-comedy, followed the week after by Robert Downey Jr. in blackface. Seriously, could you have called that this time last year?

If you don't know why I'm so psyched, I've included the NSFW red-band trailer after the jump, and for those of you who are right there with me, Pineapple Express hits (snicker) on August 8th.

[God bless Spout Blog for bringing this to our attention. I'm tempted to send you guys over a basket full of pineapples just out of principle.]

A couple of weeks back, I wrote about the imminent release of three-quel Public Enemy Returns. Hopes were high that the Korean-made crime action comedy would enjoy a measure of success and thus buoy local filmmakers; Korean audiences have been avoiding local product for months.

Public Enemy Returns did indeed have a bountiful opening, grossing more than $7.2 million in its premiere weekend and smashing Get Smart, according to Box Office Mojo. In its second weekend, though, it fell victim to international action powerhouse Wanted, demonstrating that curving bullets and the even more curvaceous Angelina Jolie need fear no borders. Still, Public Enemy Returns has nothing to be ashamed of -- it made $4.7 million to Wanted's $5.4 million -- and provides hope that upcoming Korean movies such as The Good, the Bad, and the Weird, Sunny, and Eye for an Eye will find favor locally in the coming weeks.

Meanwhile, Kung Fu Panda has been warmly embraced by China, in the words of The Hollywood Reporter. With $14 million in box office receipts in its first ten days, the animated animal adventure has already been declared "the most successful foreign animated film in China," as claimed by a government news agency. If accurate, that gross would place the film practically neck and neck with Iron Man and the Chinese-made Kung Fu Dunk for the #3 box office position for the year so far. I haven't seen Panda yet; is this is a good thing or a bad thing from a cultural and/or cinematic standpoint?

Call me crazy, but 90 minutes of Milla Jovovich doing anything is worth watching -- doubly so when her activities deal with zombies, monsters, and ridiculous high-tech weaponry. Yes -- deep sigh -- I'm a (slightly) reluctant fan of the Resident Evil series. (Yep, there's even some stuff I like in Part 2. Like Sienna Guillory.) When I'm writing or net-browsing or playing hours of Zuma, I often like to have a familiar movie playing in the background (like most people do with, um, music) and the Resident Evil flicks fit the bill quite nicely sometimes. (Depending on my mood, of course. Last night my relaxation movie was The Mask of Zorro.)

So it's my relative fandom for the series that leads me to share this half-piece of semi-news: According to the always-fun MTV Movies Blog, series master Paul W.S. Anderson has started speaking to Sony about a Resident Evil 4. And don't even dare act surprised when a series that grossed this much money moves forward on another adventure. How many Police Academy movies were there? (OK, bad example that isn't exactly helping my argument, but I seriously lost count. There were about 28 Police Academy movies? Or it only felt like that many.) Mr. Anderson doles out the reliable "Oh, once we get a good script ... We're not gonna do it just to do it" schpiel, which means he's probably about three weeks away from hiring a writer.

Mark Millar is becoming a real Hollywood insider these days, a Frank Miller in training. He dropped quite an intriguing bombshell to Scotland's Daily Record -- claiming that there's a Superman movie revamp on the way. While some of his claims could be dismissed as wishful thinking by a man who merely wants to fulfill his Kryptonian dreams, he's certainly talking it out with someone. Says Millar, "I've been planning this my entire life. I've got my director and producer set up, and it'll be 2011. This is how far ahead you have to think. The Superman brand is toxic after that last movie lost 200 million, but in 2011 we're hoping to restart it. Sadly I can't say who the director is, but we may make it official by Christmas. But fingers crossed it could work out, that would be my lifetime's dream."

Now, this flies directly in the face of Bryan Singer confirming he was attached to the sequel. But there's been a peculiar lack of progress with it. He's obviously busy with Valkyrie, but when you look at how quickly the Iron Man and Spider-Man franchises are moving, well, someone's not moving faster than a speeding bullet anymore. Could Warner Bros really be open to rebooting the franchise? The parallels between Ang Lee's Hulk and Bryan Singer's Superman Returns are striking, and I can honestly see the studio choosing a similarly clean slate. But they would be ditching a pretty expensive investment in Returns, and creating quite a controversy in the process.
Far more people loved Superman Returns than Hulk, and Singer commands a lot of geek cred.

I wanted to go into Hancock knowing as little as possible, so I deliberately avoided reading anything about it -- at least, as much as that was possible given the amount of movie blog reading I do on a daily basis. Nonetheless, it was hard to miss that early reviews trickling in from places like Variety and Hollywood Reporter were not, shall we say, overly positive. On the other hand, several of those reviews were written by people who often seem to have cinematic tastes directly opposite mine, so I wasn't too dissuaded.

And I'm glad I wasn't, because I'm here to tell you Hancock is both an enjoyable film and one of Will Smith's best performances ever, even if it is a bit schizophrenic in its execution. The film starts out as one thing -- all we know is we're getting a film about a grumpy, alcoholic guy with super powers who's awfully deficient in the social skills department. The film opens on a scene right out of COPS: three bad guys leading police on a chase down an LA freeway, firing away on police and other cars. In between shots of the action, we see a disheveled guy snoozing drunkenly on a park bench.

Although Will Smith plays an emotionally fragile superhero in Hancock, as a movie star he's practically invincible. By industry standards, the last genuine Smith dud was The Legend of Bagger Vance, but the actor's standing among many audiences has remained decidedly rocky. As a result, he occupies a unique corner of the Hollywood marketplace where quality and taste don't necessarily match up. Unlike, say, The Dark Knight, not many people eagerly await the latest Smith offering -- which currently has a 32% rating on Rotten Tomatoes -- but they'll see it anyway. Hancock is tracking well, thanks to a poster exclusively dominated by Smith's unshaven mug, and that pretty much seals its potent box office fate. Just as Smith's slapdash onscreen persona is bullet-proof, Smith himself is steadfastly critic-proof.

Which places movie in an interesting quagmire: After pulling in waves of cash, it will probably get relegated to the void of forgettable Smith fare, where spectacles offer passing amusement before scampering off forever. Hancock, however, deserves better than a fleeting moment in the limelight and a crash landing in the bargain bin. It's part of a genre that speaks directly to the modern state of blockbuster cinema: The superhero satire.

Ya know, after the 457th poster was released for The Dark Knight, I said to myself, "That's it! I'm done! They've convinced me to see it!" But then they go and give us another ridiculously cool poster (click image to enlarge) and I'm just speechless. Seriously, what more is there to say? Honestly, I think everyone at Warner Bros. drank a little of that crazy Joker juice because the marketing campaign for this film has taken on a life of its own. Is there really someone controlling it from behind the scenes, or has the marketing gone postal? Perhaps the other posters have come to life and are now creating more posters -- meanwhile some poor schmuck over at Warners is locked in a storage room with his hands tied, desperately trying to warn everyone that the Dark Knight viral campaign has gone mad. He's sweating, slowly inching toward the door doing one of those hands-tied-hobble-hops. And just as he gets there, this poster walks in, slaps him across the face with the butt of a gun and says, "Sit tight baldy ... it's all part of the plan.

July 18. Need we say more?

[Thanks Jay]

I can't wait for Halloween, when I'm going to be dressing up as Batman, courtesy of Dominos. Among the pizza chain's many tie-ins with this summer's The Dark Knight are these cool pizza boxes, which include separate parts to a cardboard-costume whole. Yes, you'll have to order a number of pizzas to complete your outfit, and there will likely be grease stains all over your utility belt, but your other option is to actually buy a costume ... and go hungry.

Actually, I just remembered that I'm going to be out of the country on Halloween. But when I return, I want to see lots of you Cinematical readers fashioned in Dominos-catered Batman costumes and taking part in our annual costume contest. In the meantime, be sure to check out the Dominos Dark Knight vault, which features details on everything from a special Gotham City meal deal to multiple sweepstakes. And apparently if you order a pizza through the website, you'll gain access to other goodies, like clips, wallpapers, artwork and an exclusive new trailer ... which you may or may not be able to watch after the jump.