Cinematical

Well here's something you don't see every day: A big, flashy summertime "tentpole" movie that A) takes chances, B) bucks convention, and C) takes some real risks with its subject material. Obviously the safe approach is for Will Smith to do (yet another) easily-digestible (if somewhat mindless) blockbuster like I, Robot or I Am Legend or Independence Day -- but this time the endlessly profitable Will Smith is working with a rather distinctive director who refuses to cater to formula. That director would be Peter Berg, and this guy has yet to make a bad film.

Unfortunately the production history on Hancock is not a fantastic one. There was a revolving door of directors and script polishers before Columbia finally started production -- but there were still marketing issues, last-minute reshoots, and MPAA miseries to deal with. And yet, despite all that, Hancock arrives like a breath of weirdly fresh air for moviegoers who like a little heart and soul mixed in with their hyper-kinetic action mayhem. Toss some sharp wit and an impressive display of edge into the mix, and I think you may have one of my favorite movies of the summer. (Although one can plainly tell that there was some late cutting done to the flick, all in the name of the almighty PG-13 rating, of course.)

Call me crazy, but 90 minutes of Milla Jovovich doing anything is worth watching -- doubly so when her activities deal with zombies, monsters, and ridiculous high-tech weaponry. Yes -- deep sigh -- I'm a (slightly) reluctant fan of the Resident Evil series. (Yep, there's even some stuff I like in Part 2. Like Sienna Guillory.) When I'm writing or net-browsing or playing hours of Zuma, I often like to have a familiar movie playing in the background (like most people do with, um, music) and the Resident Evil flicks fit the bill quite nicely sometimes. (Depending on my mood, of course. Last night my relaxation movie was The Mask of Zorro.)

So it's my relative fandom for the series that leads me to share this half-piece of semi-news: According to the always-fun MTV Movies Blog, series master Paul W.S. Anderson has started speaking to Sony about a Resident Evil 4. And don't even dare act surprised when a series that grossed this much money moves forward on another adventure. How many Police Academy movies were there? (OK, bad example that isn't exactly helping my argument, but I seriously lost count. There were about 28 Police Academy movies? Or it only felt like that many.) Mr. Anderson doles out the reliable "Oh, once we get a good script ... We're not gonna do it just to do it" schpiel, which means he's probably about three weeks away from hiring a writer.

Columbia Pictures is prepping a comedy in which Sacha Baron Cohen and Will Ferrell will play iconic characters Sherlock Holmes and Dr. Watson, respectively. Already you know if you're going to see this movie or not, right? Count me in the 'definitely interested' pile, but then I'm one of the only people who thought Semi-Pro was freakin' hilarious, so maybe I'm just a sucker for Will Ferrell. And Sacha Cohen as Sherlock Holmes? That sounds potentially priceless. Like Peter Sellers caliber funny. (Maybe.)

Comedy flick gold-miner Judd Apatow is (of course) on board as a producer, but the director has not been specified just yet. (Nor has the name of the movie, come to think of it.) The screenplay comes from Etan Cohen, he of (still funny) Idiocracy and the upcoming (hilarious-looking) Tropic Thunder. As Variety so capably points out, Mr. Cohen and Mr. Ferrell worked together recently (not to mention humorously and very profitably) in Talladega Nights: The Ballad of Ricky Bobby.

More info on this comedy project as it becomes available, but I would like to take this opportunity to recommend a very underrated 1988 comedy called Without a Clue. The gag there was that Dr. Watson (Ben Kingsley) was actually the brains of the operation, whereas Sherlock Holmes (Michael Caine) was nothing more than a drunken buffoon of a stage actor. Funny little flick, but I refuse to buy the DVD because it's Pan & Scan only. Which is disgusting.

...and by SEs I mean big, fat, loaded mega-special editions of the studio's most popular stuff. And when WB delivers a Special Edition, they generally don't mess around. (Unlike some home video distributors *koff Universal* who throw the SE term around willy-nilly.) Just a quick scan through my mega-awesome DVD collection reveals WB SEs like Goodfellas, Dirty Harry, Amadeus, The Shawshank Redemption, Blade Runner, Superman, and a whole bunch more. If there's a catalog title you love, you should pray it gets the WB 2-disc SE treatment.

And a bunch more are on the way! According to Video Business, WB plans to double its SE output moving forward, and while we don't have any specs just yet, we do know that the following titles will be available (in fancy form) later this year: 300 (yes already, even though I thought the first 2-discer was pretty damn excellent), Casablanca (also again, but if any film deserves it...), A Christmas Story (cool!), JFK (a movie I need to see again), and I Am Legend. Come to think of it, all five of these movies already have Special Edition releases! These new discs better be pretty dang impressive.

Also on the way: The Peanuts Complete Holiday Collection. Which I definitely will own.

I love when stuff like this happens: Armageddon vs. Deep Impact. 1492: Conquest of Paradise vs. Christopher Columbus: The Discovery. Umm, Vice Versa vs. Like Father Like Son. You know what I mean: When two very similar movies from two very different movie studios hit the theaters at just about the same time. And according to Variety, it looks to be happening again, this time with a pair of Greek Mythology-type movies. Of all things. We get none of 'em for two decades and then all of a sudden everyone wants to bang one out. It's good news for me, though. I love this stuff.

In one corner we have WB's Clash of the Titans remake, which will be directed by Louis Leterrier and written by Lawrence Kasdan. We all know a bit about Clash of the Titans, or at least I hope we do, so let's focus on the other corner: Here we have the very intriguing War of Gods, which Relativity Media is prepping for Tarsem Singh to direct. According to Variety, it's "a mythological tale set in war-torn Ancient Greece, as the young warrior prince Theseus leads his men in a battle against evil that will see the gods fighting with soldiers against demons and titans." Whoa. Yes, please.

Both flicks are looking to use the 300-style approach to bring their ancient worlds and creatures to life, both aim to start production before the end of the year, and both will probably make a whole lot of money. I mean seriously: We need more epics about Greek Mythology. Call me a nerd, but those stories are freaking cool!

You know what I call 18 consecutive days of horror, sci-fi, action foreign, indie, obscure, and generally weird movies? Well obviously I call it heaven, but most normal people refer to it as Montreal's Fantasia Film Festival, which runs every July and throws a couple hundred features and shorts to a very ravenous crowd of genre freaks. And with folks like Mitch Davis, Tony Timpone, and Todd Brown (among others) on the programming end, you could probably just book a flight to Montreal without even checking the official Fantasia website.

I'm still not sure if I can make the trek up north next month, but I have been invited and (based mainly on the recently-released full lineup of flicks) I can pretty much guarantee that the current registrants are in for one hell of a good time. Among their selected titles, I can very strongly recommend All the Boys Love Mandy Lane, Dance of the Dead, Jack Brooks: Monster Slayer, Let the Right One In, Mother of Tears, [REC], Stuck, and Timecrimes -- plus they're offering solid titles like Fear(s) of the Dark, The Objective, Red, Second Skin, and Spine Tingler. Among the stuff I'm still drooling to see: Babysitter Wanted, Dark Floors, Midnight Meat Train, Pig Hunt, Repo: The Genetic Opera, and (of course) a new Uwe Boll flick. Plus this festival seems to offer more "Asian weirdness" movies than you'll ever find in one place. At least a dozen that look and sound certifiably insane, unless you'd define Tokyo Gore Police and Negative Happy Chain as "mainstream."

For a complete schedule, lineup, trailer bank, and tons of geeky goodness (in your choice of English or French!), click here and then here. (Montreal's not all that far away...)

Once the Weinsteins (finally) got around to releasing Project Greenlight Movie #3 (aka Feast), it found a rather warm reception on the horror circuit. And while screenwriters Patrick Melton and Marcus Dunstan were invited to join the Saw series and the Hellraiser remake, that doesn't mean the team doesn't have time for a sequel or two. (And that includes director John Gulager, who's also big for two more swings.)

We've been hearing little rumblings about Feast 2: Sloppy Seconds and Feast 3: The Happy Finish (?) for a little while now, but Fango brings us new word on a release date: Looks like Part 2 will be hitting video shelves on October 21. And since I've actually seen a few moments of Feast 2's unfinished gore-geyers, I can tell you one thing: They got the "sloppy" part right. Plot-wise, the sequel picks up right where we left off, with the crazy monsters now set to invade a nearby town. Expect a few familiar faces, several new victims, a lot of monsters, and tons of splattery mayhem. (It's like the Tremors series all over again, only in glorious "R"!)

Fair warning: This is a slight, trivial, and practically meaningless piece of upcoming movie news -- but it touches on three things we love here at Cinematical: Action movies based on cartoons based on ancient marketing campaigns, horny directors, and fake breasts. Here we go:

According to SFGate's Hot Dish blog, sexy actress Sienna Miller was forced to wear fake hooters so as to accentuate her cleavage in the upcoming G.I. Joe movie. Ms. Miller will be playing The Baroness, and apparently her god-given boobies were not adequate in the eyes of director Stephen Sommers. ("'I'm gonna be honest, I like girls with big boobs," is what the director told her. Strange comment from a guy whose leading ladies have been Famke Janssen, Rachel Weisz, and Kate Beckinsale, three gorgeous women who aren't exactly D-cups.)

Ms. Miller notes that she was "mildly offended" by the breast issue, and I'm kind of surprised that the topic didn't come up before her first costume fitting, but hey ... The Baroness is pretty stacked. Perhaps Mr. Sommers is just trying to remain faithful to the source material -- or yeah, maybe he just likes big boobs. Lord knows the target demographic for G.I. Joe loves boobs. Check out images of Sienna as The Baroness in the gallery below.

Gallery: G.I. Joe

...after the jump: more pics!

With two of four Futurama movies now behind me, I think I have the formula figured out. If the first flick -- the very amusing Bender's Big Score! -- was a patchwork and episodic affair, then at least it was a choppy good time. It was great seeing the old Planet Express crew in their resurrected form, but since the film was made with perforations ... it was a little bit of a mess. (Basically, each of the four new Futurama flicks were made to be split into four television episodes apiece. And it really shows.)

So there's my biggest and most basic complaint about Bender's Big Score! and doubly so for Movie #2: The Beast With a Billion Backs. That the writers and producers were asked to create four modular-style movies when the fans were pretty much expecting "normal" movies. The kind with three cohesive acts and what-not. Such is definitely not the case with the first two Futurama flicks -- and I expect that it's a slight malady that will continue across Bender's Game and Into the Wild Green Yonder.

So with that obvious complaint out of the way, I can also say that Futurama Movie #2 is really funny, chock-full of unexpected surprises, stunningly animated, and an absolute treat for the old-school fans. If the movie feels more like four inter-connected mini-stories than one big "movie movie," then oh well. It's still great to see the Futurama gang back in action. Especially because they're still so damn funny.

Producer Scott Faye is keeping the faith -- but fans of the Electronic Arts video game American McGee's Alice will have to wait an indeterminate amount of time to see a movie version. According to McGee's own blog (and thanks to Shock for the tip), Mr. Faye has announced that Universal has placed the project into turnaround -- which essentially means it's comatose until another backer snags the property. (IF another backer snags the property.)

Here's what the producer had to say: "Jon and Erich Hoeber have written a very compelling feature film screenplay adaptation of the Alice game. Their screenplay will certainly serve as a jumping off point as we find a new studio home for the project. In terms of the realistic chances of seeing the Alice project being produced, all I can say is that I have invested (along with Julie Yorn and Karen Lauder, my producing partners on the project) a lot of time and effort in this project. We will get it made." Just not at Universal, unfortunately. Earlier reports indicated that actress Sarah Michelle Gellar and director Marcus Nispel were attached to the project, but as Inspector Clouseau used to say "Notennymore."

For those who are unfamiliar with American McGee's Alice (I really should play this game already), it's sort of a dark semi-sequel to Lewis Carroll's Alice's Adventures in Wonderland (or Alice in Wonderland, if you prefer). Filmmakers previously (and temporarily?) attached to the project include director Wes Craven, screenwriter John August, and actress Jean Marsh. (Thanks to Wiki for the reminders.) So to those who've played (and hopefully enjoyed) this video game, here's my question: Who should direct the thing?