Cinematical

Some of cinema's most iconic shots of Chicago appear in Ferris Bueller's Day Off, and the film is certainly Matthew Broderick's most iconic role. So, it's hard to watch the actor in the Chicago-set Diminished Capacity and not ask yourself, "is this what's happened to Ferris?" He is now relatively passive, paunchy and pitiful in the role of Cooper, a newspaper editor who has recently suffered a mildly debilitating concussion. And the character could be classified as yet another sad sack, one of three such parts he can be seen playing at present (Then She Found Me opened in April and is still in theaters; Finding Amanda debuted last week).

But is it fair that we most associate Broderick with Ferris, thereby continuing our disappointment in seeing him play one nebbish nobody after another? Couldn't we redirect our memories and accept that Broderick's modern roles are more like grown-up versions of Eugene Jerome, of Neil Simon's plays Brighton Beach Memoirs and Biloxi Blues, who he portrayed on Broadway as well as in the film adaptation of Biloxi? Were Eugene not the fictional incarnation of Simon and had he not therefore become a famous writer (and were he not from an earlier time period), the character surely could have gone on to be the pathetic teacher of Election or Then She Found Me or the absentminded editor of Diminished Capacity.

I didn't get beyond the fifth Harry Potter novel, so I'm not familiar with what goes on in Harry Potter and the Half-Blood Prince. I never would have thought, however, that it features an adorable version of Voldemort (which reminded our own Kim Voynar of the young Anakin of The Phantom Menace), nor would I have ever imagined, in my wildest years, that it is anything like Trainspotting. Yet that's what Daniel "Harry Potter" Radcliffe told Empire regarding the upcoming movie adaptation. He specifically likened Half-Blood Prince to the heroin-heavy movie, admitting that it is indeed strange to mention those two films in the same sentence. He also stated that in his movie, "there's a fair amount of sexual energy and drug parallels."

Now, of course, that doesn't mean there's actual sex and drugs featured in the movie. And this wouldn't be the first time the Harry Potter films included suggestive imagery or content. One of the early installments (I think it was the original, Sorcerer's Stone) features a scene in which Harry experiments with his wand under the covers late at night. Like with a similar scene from Spider-Man, in which Peter Parker wakes up in his own sticky web, it's pretty obvious what real-world experience the scene is meant to parallel. So, I'm not surprised that as the Harry Potter movies get darker and the cast grows up that we'll be seeing other kinds of innuendo. And knowing the franchise so far, even if the suggestive imagery or content is easily deciphered, there's sure to be good messages tied in. It's not like Warner Bros. would permit improper subliminal encouragements.

I can't wait for Halloween, when I'm going to be dressing up as Batman, courtesy of Dominos. Among the pizza chain's many tie-ins with this summer's The Dark Knight are these cool pizza boxes, which include separate parts to a cardboard-costume whole. Yes, you'll have to order a number of pizzas to complete your outfit, and there will likely be grease stains all over your utility belt, but your other option is to actually buy a costume ... and go hungry.

Actually, I just remembered that I'm going to be out of the country on Halloween. But when I return, I want to see lots of you Cinematical readers fashioned in Dominos-catered Batman costumes and taking part in our annual costume contest. In the meantime, be sure to check out the Dominos Dark Knight vault, which features details on everything from a special Gotham City meal deal to multiple sweepstakes. And apparently if you order a pizza through the website, you'll gain access to other goodies, like clips, wallpapers, artwork and an exclusive new trailer ... which you may or may not be able to watch after the jump.

If you read any part of that draft of W., Oliver Stone's Bush biopic, which hit the net a few months back, you might think it ludicrous for the film to be likened to Shakespeare. But Stone himself has done so, as part of an L.A. Times set visit interview. Lumped in with a quote in which Stone also contrasts the project to the work of Michael Moore, the Oscar-winning director's statement is in response to the film's level of seriousness: "W. isn't an overly serious movie, but it is a serious subject. It's a Shakespearean story. . . . I see it as the strange unfolding of American democracy as I have lived it."

The Times piece, which reports from Shreveport, Louisiana, where Independence Bowl stadium fills in for the Texas Rangers' Arlington Stadium, is very filling for anyone with an appetite for more W. updates. Included are a description of and dialogue from a scene between George W. Bush (Josh Brolin) and George H.W. Bush (James Cromwell), details on a "baseball-oriented fantasy" sequence, Brolin stating that he's not out to do a SNL-style caricature and admitting his initial hesitance to take on the role, a general overview of the project's coming together, and, best of all, a picture (seen, cropped, above) of Brolin as the future Commander in Chief looking like he's just had the crap beaten out of him. Also a fact I'd somehow never known prior to reading the article: Stone was "briefly a Yale classmate of Bush."

If the sequel to Night at the Museum wanted to retain the level of accuracy seen with the original, it would have a Chinese actor playing Russian Czar Ivan IV (aka Ivan the Terrible). But while I'm sure there will still be historical errors abound in Night at the Museum: Battle of the Smithsonian, the honor of playing Ivan has gone instead to pale-enough actor/filmmaker Christopher Guest (Best in Show), according to the Hollywood Reporter. And since Guest is actually a far more serious man than you'd expect, despite all those silly mockumentaries he writes and directs, here's hoping he studies his Eisenstein for inspiration.

A bunch of other actors have also joined Ben Stiller in the fantasy film, including Jon Bernthal (World Trade Center) as Al Capone, Bill Hader (Superbad) as General Custer, Alain Chabat (The Science of Sleep) as Napoleon and the franchise's screenwriters, Robert Ben Garant and Thomas Lennon, as the Wright brothers. This makes for a very packed cast, considering most of the first movie's co-stars are apparently returning, including Robin Williams, Steve Coogan, Owen Wilson, Ricky Gervais, Dick Van Dyke, Jake Cherry and Patrick Gallagher, the guy who looked all wrong for the part of Atilla the Hun. Other newbies to the series include Amy Adams as Amelia Earhart and Hank Azaria as Egyptian pharaoh Kah Mun Rah.

The sequel is currently filming in Vancouver, which seems a bit far away from the actual Smithsonian Institute, but reportedly the production will have access to shoot a few scenes in the actual museum, which is located in Washington, D.C. Maybe it will actually look like it takes place there, too.

• William Vince (1963-2008) - Producer - Oscar-nominated for producing Capote. He also produced Saved!, Just Friends, Ripley Under Ground, The Final Cut, The Snow Walker, The 4th Floor, Air Bud, Air Bud: Golden Receiver, Malicious and the upcoming films Push, The Stanford Prison Experiment and Terry Gilliam's The Imaginarium of Doctor Parnassus, which stars Heath Ledger. He died of sarcoma June 21, in Vancouver. (CBC)

• John Barnes (1920-2008) - Film Historian - Co-founder of the Barnes Museum of Cinematography, which was in St. Ives, Cornwall, England (it closed in 1986) and author of multiple texts, including the five-volume "The Beginnings of Cinema in England, 1894-1901." He died June 1. (Guardian)
• Robert L. Bendick (c.1917-2008) - Director, Producer - Co-produced the Oscar-nominated documentary This is Cinerama and co-directed a follow-up, Cinerama Holiday. He died June 22. (Entertainment Insiders)
• Rodric Beckham (1914-2008) - Former U.S. Army-Air Corp. Staff Sergeant who spent much of World War II in a German POW camp. He appears in Billy Wilder's Stalag 17 along with other WWII POW survivors. He died June 21. (Entertainment Insiders)
• Howard Brandy (1929-2008) - Publicist, Producer - Handled PR for A Hard Days Night, Help! and Privilege and was a publicist for the Police Academy movies, The Karate Kid, Part III, Young Frankenstein, The Last Emperor, The Pope of Greenwich Village, The Last Seduction, Things Are Tough All Over, Runaway Train, Harley Davidson and the Marlboro Man and Gorky Park. He also handled the Academy Awards campaigns for All About My Mother, Sexy Beast and Sweet and Lowdown and produced the 1970s exploitation films Blood from the Mummy's Tomb and The Take. He was apparently the inspiration for the cartoon character Dudley Do-Right, who received his own movie starring Brendan Fraser in 1999. He died June 21 in Los Angeles. (Variety)

This week, I don't want to talk about anything new. I don't want to discuss the good news about studios and European exhibitors finally agreeing on a virtual print fee. I don't want to comment on Nielsen's research showing the strong consumer appetite for 3-D films (I'll be talking enough about 3-D next week in anticipation of Journey to the Center of the Earth). I don't want to even get people's hopes up about Microsoft's supposed "manners device" that silences cell phones instead of blocking them (signal blocking was recently found to be illegal in the U.S.). I really don't want to comment on Mark Gill's "The Sky is Falling" speech from the L.A. Film Festival loosely concerning the state of art house cinema (the speech is more related to film making and financing, plus I already played Chicken Little last week).

On the heels of the terrible Universal Studios fire comes word of another landmark movie location gone up in flames. San Diego's Kansas City Barbeque, which can be seen in Top Gun (watch one of its memorable scenes, dubbed in Italian, above), was been gutted by a fire that started yesterday in an open cooking pit. According to the AP article reporting on the fire, the restaurant was used for the scene in which Maverick (Tom Cruise) first picks up Charlie (Kelly McGillis) by singing "You've Lost That Lovin' Feeling," but this is incorrect (that scene was shot in Coronado, at the Officer's Club at Naval Air Station North Island). Kansas City Barbeque was used for the above scene in which Goose (Anthony Edwards) and Maverick are singing "Great Balls of Fire," as well as the final scene when "You've Lost That Lovin' Feeling" is playing on the jukebox.

The restaurant had capitalized on the fact that Top Gun was filmed there, and as you can see on its website, people referred to it as the "Top Gun Bar." You could even purchase Top Gun merchandise there and see props from the film, including the piano that Goose plays on and the jukebox from the end. Although the fire was reportedly extinguished in only 20 minutes, the restaurant has been destroyed and apparently those props are now lost forever.

It's been a long time since the Red Sonja remake was announced -- actually, it's not so much a remake as an all-new movie based on the character who originated in the pages of Marvel Comics (and who was based on two separate characters created by Robert E. Howard) -- but now we finally have some updates, courtesy of USA Today. First, filmmaker Robert Rodriguez (Desperado) will be producing. Second, Rodriguez' girlfriend, Rose McGowan (Grindhouse), is playing the lead. Third, Rodriguez protégé Douglas Aarniokoski (second unit on Once Upon a Time in Mexico) is directing. Fourth, shooting begins this October. Supposedly neither Rodriguez nor McGowan have seen Richard Fleischer's 1985 version, so we should attempt to wipe away all memories of that critical and commercial failure, if possible, and try to imagine something completely different. Something that will be good enough to kick off a franchise.

I'm actually not sure if I ever saw the old Red Sonja, either, but I can still only picture Brigitte Nielsen in the title role. It's just one of those iconic -- I don't want to say performances, because it's just the actress and costume I picture -- casting decisions. You know you can see her, too: that awesome red mullet; that scale armor skirt; the breast plate that hardly covers her breasts. OK, now try to imagine Rose McGowan in the same costume. I know, it's hot, but it still doesn't seem right. However, Rodriguez told USA Today exactly why she does seem right: "Rose is a pistol. She's whip-smart, has attitude to burn, is sexy, extremely strong, yet has a vulnerable side that would surprise her closest friends. That description also fits Red Sonja."

Two weeks ago, we learned that Paul Newman has lung cancer (or may have lung cancer). And my first reaction was: will he still be able to do A Walk in the Woods with Robert Redford? Or whatever that long-ago confirmed final film is, if not that Bill Bryson adaptation? A couple years back the Oscar-winning actor said he's retiring after one "last hurrah," and it was speculated that he'd be re-teaming with Redford (his partner in both Butch Cassidy and the Sundance Kid and The Sting). Unfortunately, the last we heard about A Walk in the Woods, there was no mention of Newman being involved.

Over at MTV Movies Blog, meanwhile, Shawn Adler's first thought was more like: "Is Cars really going to be his last acting role?" And thanks to MTV News, he somewhat received the answer. Apparently, the fine folks at Pixar (who are releasing their latest, Wall-E, this Friday) are including Newman's character, "Doc Hudson", in the script for Cars 2, which is set to hit theaters in 2012. Cars co-writer/director John Lasseter says they're "just waiting to see" if Newman will be able to reprise the role. If Newman can't do it, though, the sequel will be doubly sad, since it will also be missing Joe Ranft, who co-wrote, co-directed and voiced two characters in the first movie. The longtime Pixar collaborator died tragically in a car accident the year before Cars came out.

Would you still want Doc to appear in Cars 2 if not voiced by Newman?